Wednesday, January 09, 2008
Monday, January 07, 2008
SWP 08
um- dodie bellamy rocks!
I best be gettin into her class ;p
Thursday, January 03, 2008
hide and seek: unanticipated, prolonged collaborations
Tuesday, December 25, 2007
HAPPY HOLIDAYS
Just wanted to extend my best wishes to all of you during this holiday season. You are all sincerely missed you barnyarders and visitors of the farm. i'm here in buffalo wearing beige corduroys and a v-neck sweater drinking gin and reading a little holiday Chinaski. Hope everyone has a fine new year and starts off January 1st tugging the tits of our muse...cheers.
Tuesday, December 11, 2007
body in the body
this is my son. he'll be born in april. it occurs to me that i may not have spread this news. we've known for a while. this sonogram was taken today, when we learned his gender. right now we're referring to him as Captain Flameboy, but if anyone has any good names in mind, we're all ears.peace and blessings
Monday, December 10, 2007
Friday, December 07, 2007
Sunday, December 02, 2007
DooDoo

Donald Preziosi in Rethinking Art History:
"We have seen something of how the metaphorical apparatus of the modern discipline works to establish and to position artwork and art historian relative to one another as functions within a panoptic, anamorphic machinery. It has been suggested (and I believe this to be correct in its general outlines) that the discipline also serves to project or to validate a certain kind of viewing Subject: ideally, passive consumers, and, in more contemporary contexts, educated and discerning cryptographers--but receivers of messages all the same...In this regard, of course, it shares with other humanistic disciplines (perhaps most closely with literary studies) a highly complex and self-perpetuating analytic theatre of power and knowledge...it is perfectly clear that art history knows what it does. And it frequently knows why it does why it does. What it knows less well, however, is what what it does does. The pursuit of that understanding, which entails a re-membering of the lines of rupture and contradiction papered over by art history as it perpetually misreads its own history, is surely our most pressing task."
This quote (to me) is a reason to read (or re-read) Joseph Cooper's Autobiography of a Stutterer, Bhanu Kapil's Vertical Interrogation of Strangers, Araki Yasusada's Doubled Flowering, Paul Celan's Breathturn, and Susan Howe's The Nonconformist's Memorial. All of these texts (again, to me) seem to beg questions of the reader that put them into a performative participation rather than passivity...all of these texts are in ways interrogations...attempts to "re-member" their own histories...I'm not yet able to fully articulate the specific implications of these texts...but they are texts I believe to exist in opposition to panoptic power....and as a result bring themselves into an important ethical relationship to their readers/performers...they remind me to ask what does poetry do do?
Friday, November 23, 2007
Monday, November 12, 2007
Monday, November 05, 2007
Found Poem
and the explosion of teenagers
for Jared Hayes
It is a terrific phenomenon of western civilization
that, should someone want to know what
something is the broad umbrella
Think you for your time
It was a rainy day in Kenner, Louisiana when I was born.
Strauss wrote his many of his songs
for his wife, Pauline de Ahna.
She was a soprano.
As I enjoyed the nose and finish of a Llano County chardonnay and watched our Chinese guests' response to ribs and country music classics
I agreed with what Deborah Tannen said in her
essay that American society has become controversial.
Transition: What might have stopped this?
My Dear Baby,
You are such an amazing and delightful little bundle of woman
A combination of dry summers,
and laying the beds to rest for the winter,
A mess of concrete and steel bars
rest upon each other
as the sun sets and baseball
is heard in the distance.
There are times when I would be sleeping and a dream starts to happen.
[refer to the gold
At airports every passenger
“Armies and caravans into the Unknown”
I am a dedicated volunteer
unquestionably new and dizzying
a figurative puppet
coming along
an overall look at the great horned owl,
The role and importance of the horse
Sunday, October 28, 2007
Two Recent Dreams of Anselm Hollo
At parent’s house for Christmas eve dinner in fine suburban grace, we are entertaining at my request, a Mister Anselm Hollo. Though through the house is warm, well lit, decorated in plush antique, we eat in a dungeon-esque basement that has feel of 15th Century hovel in Bergman film. The fire place glows and one begins to feel safe, but also edge of concern over whether or not the host will accept who you have brought to dinner. The evening starts fine with pleasantries, soon one glass of wine becomes three, four, then it is obvious: we are dealing with a very drunk poet. Anselm gets louder, and redder, through his unkempt neck-beard. He staggers to the fine buffet, begins bailing the salad like hay, maniacally laughing at our bourgeois manners as lettuce falls to floor. I secretly cheer his antics, but can’t help but worry what my parents must think, not of him, for he is old, of respected position and rank – tho has obviously lost his temporary mind – but how this will negatively reflect on me. A knock at the cellar door, and before any one answers, appear dozens of hippie punks in dirtied costume and deliberately disjunctive accessory; top hats with ripped jean vests, lion costume with argyle sweaters knotted to shoulders. More pile down into basement, Hollo laughing, showing all the table, the room seems to enlarge as these kids continue to arrive. Our cellar has become a theater, they have erected a stage, a sound system, projector, video screen. Instruments, musicians appear, Anselm whips them into shape, chanting performance poetry dressed in drag as Anne Waldman, the band pounds behind like The White Stripes. The kids are all over, freaking out, goofing, strutting. My parents are horrified and leave. The music ends, a movie begins, the group sit in rapt attention. The film has no discernible plot, poorly shot, amateurish acting, characters move through nonsensical dadaist scenes; the crowd sways in ritual imitation. I notice the crowd as the actors come to life, some still dressed in costume. I voice my disapproval to one, he scoffs and tells me to wait for his scene coming up shortly, about his character Beefcake Jones’ epic quest for the Holy Hamburger of Gold. I plead with Hollo, – who directs the crowd with semaphore at foot of stage – he ignores me. My parents come downstairs, announce they are off to bed, tell everyone to go home. I stand at the foot of stairs as crowd exits past me, each stopping to register disgust at my uncool ways. At the end of the long line, our first guest – he hugs me. Wishes a Merry Christmas. I think of how angry my parents will be tomorrow. And I couldn’t be merrier.
2 - Anselm Hollo Rides His Prop Plane Into the Sun
Anselm at the helm of a small airplane, his wife Jane beside him. I'm in the back with a couple shadowy others - can't recall who, perhaps other Naropa poets, perhaps friends from other walks of life, perhaps you. Hollo takes the plane far up into the dark blue sky among the sharp clouds. He tells me to get out onto the wing to sit, it's really a thrill. There's a seatbelt on the wing for such occasions. I strap myself down. He starts doing all sorts of balletic airplane moves, loop-de-loops and other air show tricks. I can hear them all laughing inside the cockpit. Then something goes wrong, and he loses control of the aircraft, and it's diving around and whirling in downward circles. Somehow he navigates us towards a soft corn field. I faint (and this confuses me, because how can you faint in a dream? Or, how do I know I've fainted?) When I regain consciousness, they're all standing over me circular-like in the movies. The plane sits smoking atop the corn stalks while we're in the rich warm soil. Hollo laughs and says, "See, you did great!"
Friday, October 19, 2007
the price is right
jared - do you have anything to say about this? I saw it as a headline - breaking news - the price is right is coming back and drew is the MC.
I guess this is as noteworthy as Britney losing her kids to her baby daddy.
Thursday, October 18, 2007
blah, blah, blah
Tuesday, October 09, 2007
Pharmakon #22
so
so
sometimes
and this is
this
this is
one of them (right now!
now!)
the poems I read
while blogging
while being a blogger
being a
a
a
blog
i really
fuckin
fuck fuck
fuckin can't stand.
Saturday, October 06, 2007
this is the isles
i s s u e
6
this is the isles issue... jackalun ivyalvarez davidannwn timatkins tinabass carolinebergvall davidberridge anneblonstein andreabrady rosheenbrennan andybrown maireadbyrne davidcaddy vahnicapildeo emilycritchley jamescummins jamesdavies kevindoran andrewduncan carrieetter garethfarmer allenfisher melissaflores ameliagilmore gilesgoodland markgoodwin alanhalsey roberthampson edmundhardy peterhughes sarahjacobs susanjohanknecht lukekennard christinekennedy davidkennedy iralightman rupertloydell johnmingay geraldinemonk mariannemorris redellolsen peterphilpott ernestopriego tomraworth peterriley sophierobinson gavinselerie jeffreyside zoƫ skoulding martinstannard robstanton laurasteele sandratappenden barbaraataylor scottthurston annaticehurst georgettoouli simonturner stevenwaling carolwatts thomaswhite
Tuesday, October 02, 2007
Monday, September 24, 2007
pneumonoultramicroscopicsilicovolcanoconiosis (9/11/07)
in pursuit of the beautiful
everything
must be forgiven
--Kykosa Kajangu
once we were children
knowing nothing
things were recognized
unable to be understood
bodies
the vibration
words without shape
a door met with hesitation
we know not what we thought then
now known to attempt
to reflect death
look one another over
stroll right out the window
knowing nothing
future/
present
tense
how they left the room
so much rain finally
for cracking ground
in the hospital
after holding hands
and walking backward
into the gray
someone said
dichotomy
she called sobbing
was drawn into a picture
standing with a child
she just met
before a giant flower
no one has ever seen before
he said a woman
looked into his eyes
pouring water over his head
compassion is monochromatic
people closer than gravity
collapsed
and came together
we all saw it
he knew the scent
she reclaimed the air
in a sense
no science
nonsense
we held our breath
today is Tuesday
it was Tuesday
it was tom’s room
she answered the telephone
knowing nothing
they entered a room
remarkably energetic
rain gave quiet warning
we introduced
were introduced
to something beyond
he said everyday
a saint
he said everyday
is the magnitude of
emergency
the ride home
settled rapid
heartbeat
the brain couldn’t
hard to move
a prayer
anywhere but forward
forked paths
to sleep
celebrate birth
or mourn
so small
linger of predatory
too much aggression
the speed of contact
braced for
inevitable
unprepared
stone to dark water
before the moment
knowing nothing
of the outcome
only routine
would the answer change
if Macbeth never encountered
weird sisters
suddenly so cold
apparently a misnomer
sudden
like coincidence
in divinity’s
perceptual sin
void of context
a pattern
not here
in whose eyes
her truth matters
trembling outside
present memory
narcoleptic
interrupted twice document
speechless
the couch
huddled over new life
now confused as ever
topped off lungs
a wall between
chaos and opposition
a waning of belonging
desire of eyelid
repetition anniversary
silence as act of rest
to stand as witness
to say they jumped
and we watched
knowing nothing
six years still not sure
how to deal with
war all the time
a feeling almost passed
settled like dust in lungs
the severity of congestion
visible progression
as a fine red mist
coughed onto a hand
they held
each of us falling
knowing nothing
but the ground
horizon
smoked out
he said to turn on the tv
she never asked why
hours
they turned it off
bitter the absence of solution
the absence of light
wasn’t unbelievable



